This is the fourth  year of running the Bare Fiction Prize and once again our first, second and third prizewinners in each of the three categories will be published in this year’s Spring issue of Bare Fiction Magazine and, along with the Highly Commended entries, will be published online after the launch of the Spring 2018 issue in April.

The prizes will be awarded at our Spring launch reading at Waterstones, 24-26 High Street, Birmingham, B4 7SL, on the evening of April 26th.

Poetry Entries: 827
Flash Fiction Entries: 515
Short Story Entries: 548
Total Entries: 1890

All entries were judged anonymously. Full details of the winners in the poetry & flash fiction categories, including the judge’s report and author biographies/photos can be seen below.

The Short Story category longlist of the top 50 short story titles can be found below. Details of the finalists and winners for the Short Story category will be added to this page at the beginning of March 2018.

A huge thank you to everyone who entered the competition in support of the magazine.

Poetry Category

Judge: Wayne Holloway-Smith

Joint 1st Prize (£350): Paul Stephenson, Letters to Brazil

Joint 1st Prize (£350): Jenna Clake, Wooden doll, total being

3rd Prize (£100): William Griggs,  There’s chaos in my cornflakes

Highly Commended x 2 (£25):

Ruth Blaug, Cassandra

Mara Adamitz Scrupe, clear cut

Commended:

Mara Adamitz Scrupe,  Sunflower Encolpion
Anna De Vaul, Language lessons
Katie Hale, The Call
Francesca Haig, My neighbor explains why he is followed everywhere by crows
Theophilus Kwek, the week it happens
Ken Evans, orange
Paul Stephenson, Us That Was

Judge’s Report by Wayne Holloway-Smith

Let me say that I approached my role as a judge for this competition riddled with uncertainty, and also full of gratitude. Uncertainty, because I doubt there is anything like an objectively good poem. Uncertainty because, I mean, what would even be the criteria by which such a poem could be measured? We are at such a place in critical thought that we can probably own any ‘judgement’ we make as firmly embedded within our own relative socio-cultural positions, any criteria and judgement as subject to our own unwitting sets of preferences. Gratitude, though, that, for whatever reason, the competition’s facilitator deemed me a suitable person to read these poems, and to highlight my favourites. Uncertainty: any person reading the winning and commended poems here will perhaps interpret and enjoy them differently from me. Gratitude, that I had the opportunity to read and enjoy them first. It’s with gratitude then, and uncertainty, that I present the results of this project.

The list of commendations is made up of the poems that caught hold of and excited me the most. In his essay ‘The Architecture of Fictional Rooms’, Luke Kennard speaks about ‘WTF’ moments. There are many great instances of these ‘WTF’ moments on this list, which operate, for me, as entertaining surprises, unusual uses of language, and strange images, which all seem mechanisms for movement slightly beyond the limitations of conventional sense in our limited system of communication.

From the list: ‘Cassandra’ articulates a sense of anxiety I know well, through its strange internal logic, and killer finish. ‘clear cut’ houses some incredibly interesting syntax, meaning shooting in and out of everywhere. In Third Place ‘There’s chaos in my cornflakes’ utilises a clear framework in which to articulate its almost concrete unease. Both Winners (and I had to pick two because the virtues of these, from my perspective, were impossible to separate) are a mix of the qualities I have appreciated and named above. The clarity of location in ‘Wooden doll, total being’ enables the taking of risk by its speaker in the negotiation of identity. ‘Letters to Brazil’ takes the stability of its tonal qualities and form to enact a playfulness in its movement between sections, hitting upon occasions of entertainment and peculiar types of truth throughout.

In a recent article about judging poetry prizes, Vahni Capildeo writes, “I feel almost as nervous about my ‘judgments’ as I do about my own new poems – is this any good, or have I run mad?” I actually learned to enjoy this feeling, and the way these adventurous new poems forced me to straddle this unsureness, right up to their very end.

 

Joint 1s prize: Paul Stephenson (Letters to Brazil)

Paul Stephenson has three pamphlets. ‘Those People’ (Smith/Doorstop) was a winner of the 2014/2015 Poetry Business competition judged by Billy Collins. ‘The Days that Followed Paris’ (HappenStance) was listed in The Poetry School’s ‘Books of the Year 2016’. ‘Selfie with Waterlilies’ won the Paper Swans Press competition in 2017. He interviews poets at www.paulstep.com

Paul was also shortlisted for the poem ‘Us That Was’.

Joint 1st prize: Jenna Clake (Wooden doll, total being)

Jenna Clake is studying for a PhD in Creative Writing at the University of Birmingham. Her debut collection, Fortune Cookie, is published by Eyewear and was awarded the Melita Hume Prize. Her poetry has appeared in Oxford Poetry, The Rialto, The Stinging Fly and more.

3rd prize: William Griggs (There’s chaos in my cornflakes)

William grew up in Somerset and now lives in London, studying his MA in Creative Writing at Royal Holloway. He began writing contemporary poetry during his BA, after studying and becoming inspired by young British and American poets. His dark, sardonic tone addresses themes of isolation, vulnerability and self-identity.

Highly Commended: Mara Adamitz Scrupe (clear cut)

Mara Adamitz Scrupe is the author of three poetry collections BEAST (NFSPS Press, 2014), Sky Pilot (Finishing Line Press, 2012) and Magnalia (Eyewear Press, 2017). Her poems have appeared in literary journals and magazines and she has won or been shortlisted for the National Poetry Society Competition, Ron Pretty Poetry Prize, BigCi Environmental Fellowship, Erbacce Prize, Fish Poetry Prize, Aesthetica Creative Writing Award, University of Canberra Vice-Chancellor’s Prize, and the Bristol Prize.

Mara was also shortlisted for the poem ‘Sunflower Encolpion’.

Anna De Vaul (Language lessons)

Anna writes both prose and poetry. She is a founding editor of the literary journal Lighthouse and a recent winner of Eyewear Publishing’s Fortnight Prize. Her chapbook Cosmonaut is forthcoming from Dancing Girl Press.

 

Katie Hale (The Call)

Katie’s debut pamphlet, Breaking the Surface, was published by Flipped Eye in 2017. She recently won the Jane Martin Poetry Prize and the Ware Poetry Prize, and was shortlisted for the Ballymaloe International Poetry Prize. Katie is currently on her first novel, My Name is Monster, as part of Penguin Random House’s inaugural Write Now scheme.

Francesca Haig (My neighbor explains why he is followed everywhere by crows)

Francesca Haig is a novelist, poet and academic. She is the author of novels The Fire Sermon, The Map of Bones, and The Forever Ship – a trilogy published in more than 20 languages. Her first collection of poetry was Bodies of Water (2006). She grew up in Tasmania, and lives in London.

 

Theophilus Kwek (the week it happens)

Theophilus Kwek has published five volumes of poetry, most recently The First Five Storms (2017) which won the New Poets’ Prize. His poems, essays and translations have appeared in The Guardian, The London Magazine, The Irish Examiner, the Asia Literary Review, and elsewhereHe serves as Editor of Oxford Poetry.

Ken Evans (orange)

Ken won Battered Moons and was runner-up in Poets & Players in 2016. ‘The Opposite of Defeat’ (Eyewear) featured work shortlisted in Bare Fiction’s pamphlet competition. A collection is due summer 2018. Individual poems feature in Envoi, Lighthouse Literary Journal, The High Window, Obsessed with Pipework, and Interpreter’s House.

Flash Fiction Category

Judge: Naomi Booth

1st Prize (£500): Wendy W. Ralph, Growing Things

2nd Prize (£200): Eluned Gramich, On the Night the T4 Visa Student Invites Me Back to His

3rd Prize (£100): Christina Sanders, What Is Gone 

Highly Commended x 2 (£25):

Liv Norman, The Compression of Snow 

Liz Falkingham Temple, Flight Instinct

Commended:

Ursula Mallows, Whatever it was he did

Barbara Marsh, The painted watch

Tamsin Hopkins, New Girl

TM Upchurch, There Is No Wrong Way

Anna Orhanen, The lemons are almost ripe

Jessie Berry-Porter, Aetiology

Vanessa I Onwuemezi, The Crossing

Judge’s Report by Naomi Booth

I’ve always loved flash fiction: brevity produces an abruptness that I enjoy, and the brutal rhythms of good micro-fictions often make them feel like the literary equivalent of a joke. Reading through the entries for the 2017 Bare Fiction contest has only made me appreciate the form even more. I’ve begun to think of it as the prose equivalent of the sonnet: perfect for the precise exploration of an idea, or a relationship, or as elegy. Many of my favourite pieces produced a flash of wildness, allowing a glimpse of something animal or environmental that disturbs the reader, and disturbs language.

Reading these entries has also reminded me how hard it is to write in this form: how hard it is to end a piece effectively so soon after it has begun; how hard it is to establish a world so rapidly and to produce a strong effect that isn’t mawkish or overblown. The writers who made this shortlist make it look easy, but creating something that feels complete in such a short space really is a feat of precision and imagination.

Special commendations go to ‘The Compression of Snow’, for a particularly arresting and vivid glimpse of a child’s point of view; and for ‘Flight instinct’, for its intense descriptive beauty and physicality.

Third Place: Lots of the submitted stories deal with births and deaths, showing great ambition within the short form. ‘What Is Gone’ was one of my favourites of these, and manages to bring both the idea of beginnings and endings together in a short story that is violent as well as tender.

Second Place: ‘On the Night the T4 Visa Student Invites Me Back to His’ is a brilliant study of an intriguing relationship. The story is beguilingly intimate but is also ruptured by dislocation, by a sense of the enormous distances, literal and experiential, between these two characters.

First Place: In ‘Growing Things’, a desert childhood is brought back to life, and becomes something powerfully eerie by the end of the story: this is vivid, beautifully detailed writing that builds towards an uncanny ending. This story establishes so much so quickly—and then just as effectively de-realises its own world, conjuring the destructive power of the environment as well as the weird, destabilising effects of memory.


The winner: Wendy W. Ralph (Growing Things)

Wendy W. Ralph resides in sunny Estero, Florida where she currently spends far too many hours indoors working on a doctoral dissertation. Wendy was nominated for a Pushcart Prize in 2010 and her work lives in: Upstreet, The Los Angeles Review, The Doctor T.J. Eckleburg Review, and others. www.wendyralph.com


2nd prize: Eluned Gramich (On the Night the T4 Visa Student Invites Me Back to His)

Eluned Gramich is a Welsh-German writer and translator. Her memoir of Japan, Woman Who Brings the Rain, won the New Welsh Writing Award 2015 and was shortlisted for the Wales Book of the Year 2016. She currently lives in Aberystwyth, where she’s working on her debut novel.


3rd prize: Christina Sanders (What Is Gone)

Christina has had short stories and flash fiction published in literary and online magazines including: The Bath Short Story Anthology, Litro, Rattle Tales, TFM magazine, Litro, Best Small Fictions, Toasted Cheese.  In 2016, she won the Aesthetica creative writing award.


Highly Commended: Liv Norman (The Compression of Snow)

Liv Norman lives in Surrey with her husband and children, writing short fiction in between compulsive bouts of baking. She studied creative writing as part of a Literature degree with the OU, and has been a Writers’ Forum competition winner, writing as Victoria Gebler. She tweets on occasion @LivNorman77

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Highly Commended: Liz Falkingham Temple (Flight Instinct)

Liz Falkingham Temple is a journalist and writer based in East Yorkshire. Her work has appeared in the Bath Flash Fiction Anthology, The Lobsters Run Free, MoonPark Review, Ellipsis Zine and DNA Magazine, and was shortlisted for the Bath Flash Fiction Award in 2017. She is currently working on her first novel.

Ursula Mallows (Whatever it was he did)

Ursula is an editor and writer currently living in Oxford with her husband and two young sons. Her flash fiction has appeared in the Bridport Anthology (Redcliffe Press) and Story.Book (Unbound Press), and her work has been shortlisted for the Fish Flash Fiction Prize, the Bridport Prize and Mslexia Flash Fiction competition.

Barbara Marsh (The painted watch)

Winner of the Troubadour International Poetry Prize 2015, Barbara Marsh is a writer, musician and teacher. Her most recent poetry collection is To the Boneyard (Eyewear Publishing). As a singer/songwriter, she co-formed Anglo-American duo The Dear Janes. Formerly with Geffen Records, they released three albums and toured Europe and America. She was born in the US and lives in London.

[Photo credit: S. Parkhill and A. Kjaergaard]

Tamsin Hopkins (New Girl)

Tamsin Hopkins lives in London. She has two dogs and likes rivers. A lot. Her debut short story collection Shore to Shore was published in 2016 and was longlisted for the Edge Hill Prize. She is new to flash but finds it endlessly fascinating.

TM Upchurch (There Is No Wrong Way)

TM Upchurch is a biochemist and scientific writer. Her fiction has been published in print and online, and shortlisted for the Bridport Prize, Bath Flash Fiction Award, and HISSAC short story competition. She is currently working on her first novel. Website: www.tmupchurch.com Twitter: @tmupchurch

Anna Orhanen (The lemons are almost ripe)

Anna Orhanen is a London-based freelance writer, editor and scholar. After completing her PhD on Proust at King’s College London in 2013, she has taught Literature and Critical Theory at Royal Holloway, University of London and worked as a Visiting Research Fellow at KCL. Since 2016, she has been writing for and editing Londnr Magazine.

 

Vanessa I Onwuemezi (The Crossing)

Vanessa is a writer and poet based in London. She recently completed an MA in Creative Writing at Birkbeck, University of London, where she was an editor of the Mechanics Institute Review anthology. She is currently working on a collection of short stories and a collection of poetry.

 

Short Story Category

Judge: Adam O’Riordan

Due to delays in the longlisting process caused by ill health, the final results of the Short Story category will be out at the beginning of March.

However, Adam is now in receipt of the following 50 stories and is looking forward to reading these and choosing the winners and shortlisted pieces.

 

LONGLISTED STORIES (anonymous, in no particular order)

The Butterfly Project

November the Fifth

Paper Like Skin, Skin Like Paper

The Brother of the Man Who Found the Giant Squid

The Interview

Tenderness

Educating Susan

Still

If only for the butterflies

One drink

The Edges of Sound

The Blame

The Sky Polisher

The Bodies

The Creation. Or where it went wrong

Sea Defences

The Nobleness of Life

Blind Baggage

Saver Girl

How To

The Scarlett Window

Peace Process

Pretty Feet

The Boy Who Hated Cigarettes

Swarm

The Rainbow Calico

One More Cross

Drive

Luisa The Unforgotten

Alignment

Mindfulness

Grandma’s Perfume

Hindsight is a terrible thing

Stop for Death

Cobweb Mornings

You didn’t know I could dance

This Small Girl

Pierced

Cosmo v Cosmo

Ashore

Sandgrown

The Pincushion

The Quadratic Formula

Nightrider

Something about a Seagull

from Greek dus– ‘difficult’ + chronos– ‘time’ + metron– ‘measure’

The Old Rehearsal Rooms

Sticks and Stones

Portrait

Stone-Baby